Friday, February 12, 2016

communitarism by menkiti p

Communitarianism in African Thought - Menkiti On Communitar ianism.


and Community in African Traditional Thought" (1984), Menkiti argued that, in Africa, the community had priority over the individual. He distinguished between Western views, which generally hold that a person is a lone individual, and African views, in which a person is defined "by reference to the environing community," quoting John Mbiti's statement, "I am because we are, and since we are, therefore I am," to support his thesis (p. 171). According to Menkiti, "as far as Africans are concerned, the reality of the communal world takes precedence over the reality of individual life histories" (p. 171). Thus the communal ethos has ontological and epistemological precedence. Menkiti also defended the communitarian view on biological and social grounds because the individual comes from a common gene pool and belongs to a linguistic community: "Just as the navel points men to umbilical linkage with generations preceding them, so also does language and its associated social rules point them to a mental commonwealth with others whose life histories encompass the past, present, and future" (p. 172). Menkiti stated emphatically that personhood is defined by community and not by qualities such as rationality, will, or memory.
Menkiti underscored his views of personhood by affirming a processual, or procedural, mode of being in African thought in which an individual becomes a person through social and ritual incorporation. Menkiti conflates the facticity of personhood with quality. He does this by distinguishing between muntu mutupu (a man of middling importance) and muntu mukulumpe (a powerful man, a man with a great deal of force). It is not clear why both persons cannot hold the status of "person," even though one is "middling" and the other is already great. Menkiti rejects the Western minimalist definition of a person, "whoever has a soul, or rationality, or will, or memory; the African view is 'maximal'." Menkiti uses the word maximal to indicate that the African view of personhood includes other criteria and is not limited to soul, rationality, or will. Since personhood is achieved, not endowed, in Africa, one could fail at achieving it. There are rules governing social rituals of incorporation that are designed to help the individual attain selfhood. The older an individual becomes, the more of a person that individual becomes. Menkiti quoted an Igbo proverb, "What an old man sees sitting down, a young man cannot see standing up," to support his claim that personhood is a quality acquired as one gets older. While this proverb hints at differences of perspective between older and younger individuals, it is not implicit that personhood is an acquired quality. Opponents might agree with Menkiti that a youth has a different point of view from that of an older individual but might also affirm, in contrast with Menkiti's views, that both are persons.
Menkiti defended the communitarian ethos by arguing that people use the neuter pronoun it to refer to a child rather than the personal pronouns him or her because the child has not yet attained personhood. He also stated that when a child dies, the funeral ceremonies are brief. However, when an older person dies, elaborate funeral celebrations take place because the older individual has achieved personhood and has now become an ancestor who lives among the people. In general, when one dies, he or she ceases to be a person. At the beginning of life, an individual who has no name will work toward personhood, and at the end of life, that individual loses personhood because he or she has departed for the next world. The departed ones may be referred to with the neuter pronoun it because their contact with the human community has been severed.
Thus it is clear that people at both ends of life are not persons because the young have yet to attain personhood while the dead have completed their development. "It is the carrying out … [of] obligations that transforms one from the "it"-status of early childhood, marked by an absence of moral function, into the person-status of later years, marked by a widened maturity of ethical sense—an ethical maturity without which personhood is conceived as eluding one" (Menkiti, p. 176). Meyer Fortes also argued that, among the Tallensi, "No one can be certainly known to have been a full human person until he is shown, at the time of his death, to have been slain by his ancestors and therefore to deserve a proper funeral" (1987, p. 257).
But Menkiti's view that brief mourning periods indicate the degree of personhood of the deceased is contested. Elias Bongmba has argued that funeral rites of children among the Wimbum are brief and sad for reasons that do not reflect a child's status as a person but because the Wimbum people mourn the fact that the young person has not lived life fully. They take personhood for granted but consider the death of a young person rkwi bipsi shu, meaning "death that has spoiled the mouth." This means that the death of a young person shocks and numbs the appetite for food or drink, which people consume when an elderly person dies (Bongmba).
Menkiti cited John Rawls, who argued that justice is owed a moral personality, "a potentiality that is ordinarily realized in due course," to support his claims that individuals acquire personhood as they carry out their obligations (Rawls, pp. 505–506). However, one could argue that Rawls emphasized moral potential and not personality. Whereas for Menkiti personhood is acquired when one develops and carries out moral acts, Rawls's position is that an individual who is already a person has the potential of becoming a moral person. Menkiti rejected Jean-Paul Sartre's definition of individualism because it stipulated unconditioned freedom and choice, which Sartre assumed was available to all. The African view is that such an idea of freedom is wrong because it ignores the community, which plays an important role in the life of the individual. According to the Africanist view, Sartre was wrong to place children and adults on the same level of choice. Finally, Menkiti rejected Western views that the community is a collectivity of self-interested individuals. This makes the community an aggregation of separate individuals. In Mbiti's phrase "I am because we are," the "we" is not additive "but a thoroughly fused collective we" (Menkiti, p. 179). African societies thus emphasize duty, while Western societies emphasize rights.





Wednesday, September 30, 2015

The long awaited list of The Headies 2015, one of Nigeria's biggest & most prestigious music awards show is finally out. This year, The Headies jury announce music material eligible for review and nomination and they are only works and submitted entries which fall between July 2014 to June 2015. Fine the Nominees List after the cut... BEST RECORDING OF THE YEAR A NON-VOTING CATEGORY FOR THE BEST SINGLE RECORDING BY AN ARTISTE OR GROUP IN THE YEAR UNDER REVIEW. OJUELEGBA - WIZKID EYO – ASA WISH ME WELL – TIMI DAKOLO BEZ – THERE’S A FIRE COBHAMS – DO THE RIGHT THING PRODUCER OF THE YEAR AN INDIVIDUAL RESPONSIBLE FOR PRODUCING THE MOST ACCLAIMED SONG OR ALBUM IN THE YEAR UNDER REVIEW. DON JAZZY - GODWIN (KOREDE BELLO) MASTAKRAFT - WISER (FLAVOUR) YOUNG JOHN - BOBO (OLAMIDE) SHIZZI - FANS MI (DAVIDO) LEGENDURY BEATZ – OJUELEGBA COBHAMS – THERE’S A FIRE (BEZ) BEST MUSIC VIDEO A VOTING CATEGORY FOR THE BEST CONCEPTUALIZED, BEST DIRECTED AND MOST EXCITING VIDEO IN THE YEAR UNDER REVIEW.THIS AWARD GOES TO THE VIDEO DIRECTOR. JAMB QUESTION (SIMI) - MEX CRAZY (SEYI SHAY) - MEJI ALABI THE SOUND (DAVIDO FEAT. UHURU & DJ BUCKZ) – SESAN KATAPOT (REEKADO BANKS) – UNLIMITED LA BABY JOLLOF (SOLID STAR FEAT. TIWA SAVAGE) – CLARENCE PETERS BEST R&B/POP ALBUM A CATEGORY FOR THE BEST R&B/POP ALBUM IN THE YEAR UNDER REVIEW (BY AN INDIVIDUAL OR GROUP). BED OF STONE – ASA A.Y.O. – WIZKID KING OF QUEENS – YEMI ALADE RICH & FAMOUS – PRAIZ DOUBLE TROUBLE – PSQUARE BEST R&B SINGLE A CATEGORY FOR THE BEST R&B SINGLE IN THE YEAR UNDER REVIEW (BY AN INDIVIDUAL OR GROUP). 1. HEARTBEAT – PRAIZ 2. BABY DADDY – IYANYA 3. SAY YOU LOVE ME – LERIQ FT. WIZKID 4. DO THE RIGHT THING – COBHAMS FT. BEZ 5. WISH ME WELL – TIMI DAKOLO BEST POP SINGLE A CATEGORY FOR THE BEST POP SINGLE IN YEAR UNDER REVIEW (BY AN INDIVIDUAL OR GROUP) OJUELEGBA – WIZKID COLLABO – P-SQUARE FEAT. DON JAZZY MY WOMAN, MY EVERYTHING – PATORANKING FEAT. WANDE COAL WOJU - KISS DANIEL GODWIN – KOREDE BELLO BOBO – OLAMIDE BEST REGGAE/DANCEHALL SINGLE A CATEGORY FOR THE BEST REGGAE/DANCEHALL SINGLE IN THE YEAR UNDER REVIEW (BY AN INDIVIDUAL OR GROUP). GERMAN JUICE - CYNTHIA MORGAN SANKO - TIMAYA MY BODY - SOLID STAR FEAT. TIMAYA DANIELLA WHYNE – PATORANKING CHEQUES AND BALANCE – BURNA BOY BAD GIRL SPECIAL (REMIX) – MR. 2KAY FEAT. CYNTHIA MORGAN & SEYI SHAY BEST RAP ALBUM A NON-VOTING CATEGORY FOR THE BEST ALBUM BY A RAP ARTISTE OR GROUP IN YEAR UNDER REVIEW. BABA HAFUSA – REMINISCE STREET OT – OLAMIDE CHAIRMAN – M.I. ABOVE GROUND LEVEL – MODENINE BEST COLLABO A VOTING CATEGORY FOR THE BEST R&B, POP OR HIP-HOP COLLABORATIVE TRACK (INCLUDING CAMEOS). LOCAL RAPPER – REMINISCE FEAT. OLAMIDE & PHYNO HOLD ON – JOE EL FEAT. 2FACE IDIBIA BAD GIRL SPECIAL (REMIX) – MR. 2KAY FEAT. CYNTHIA MORGAN & SEYI SHAY SHOKI (REMIX) – LIL’KESH FEAT. OLAMIDE & DAVID O DO THE RIGHT THING – COBHAMS FT. BEZ SISI – PRAIZ FT. WIZKID BEST RAP SINGLE A VOTING CATEGORY FOR A SINGLE (RELEASED ON-AIR) RECORDING OF A RAP. KING KONG - VECTOR BAD BELLE - M.I BANK ALERT - ILL BLISS LOCAL RAPPER – REMINISCE FEAT. OLAMIDE, PHYNO & STOMREX G.O.D – T.R BEST VOCAL PERFORMANCE (MALE) A NON-VOTING CATEGORY FOR THE SINGLE MALE ARTISTE WITH THE MOST OUTSTANDING VOCAL PERFORMANCE ON A SINGLE OR ALBUM. PRAIZ – IF I FALL SHAYDEE – HIGH TIMI DAKOLO – WISH ME WELL COBHAMS – DO THE RIGHT THING BEZ – THERE’S A FIRE BEST VOCAL PERFORMANCE (FEMALE) A NON-VOTING CATEGORY FOR THE SINGLE FEMALE ARTISTE WITH MOST OUTSTANDING VOCAL PERFORMANCES ON A SINGLE OR ALBUM. WAJE – COCO BABY ARAMIDE – IWO NIKAN ASA – BED OF STONE SIMI – TIFF YEMI ALADE – DURO TIMI NEXT RATED THIS CATEGORY IS A VOTING CATEGORY FOR THE MOST PROMISING UPCOMING ACT IN THE YEAR UNDER REVIEW. REEKADO BANKZ KISS DANIEL CYNTHIA MORGAN KOREDE BELLO LIL’ KESH HIP HOP WORLD REVELATION A VOTING CATEGORY FOR THE BEST NEW ARTISTE IN THE YEAR UNDER REVIEW. PRAIZ – RICH N FAMOUS YEMI ALADE – KING OF QUEENS SKALES – MAN OF THE YEAR LYRICIST ON THE ROLL A NON-VOTING CATEGORY FOR THE RAP ARTISTE WITH THE BEST LYRICAL DEPTH AND PERFORMANCE ON A SINGLE OR ALBUM. ILL BLISS – BANK ALERT (REMIX) FEAT. ICE PRINCE, EVA ALORDIAH & PHYNO VECTOR – KING KONG REMINISCE – BABA HAFUSA G.O.D – T.R BEST STREET-HOP ARTISTE A VOTING CATEGORY FOR THE ARTISTE WHOSE SONGS ARE INSPIRED BY THE STREETS. SUCH SONG SHOULD CAPTURE LINGUAL, WHICH MAY ALSO BE ORIGINATED BY THE ARTISTE AND POPULAR ON THE STREET. REMINISCE – SKILLASHI OLAMIDE – BOBO SMALL DOCTOR – MOSQUITO KILLER MASTAKRAFT FEAT. OLAMIDE, CDQ AND DAVID O – INDOMIE FALZ THE BAD GUY FEAT. YEMI ALADE & POE – HELLO BAE BEST ‘ALTERNATIVE’ SONG A VOTING CATEGORY FOR THE ARTISTE WHOSE SONGS REFLECT ANY FORM OR STYLE OF MUSIC WHICH FALLS OUTSIDE THE MAINSTREAM OF RECENT OR PAST POPULAR MUSICAL TRENDS. DI’JA – AWWWWWW BEZ – THERE’S A FIRE ASA – SATAN BE GONE ADEKUNLE GOLD – SADE UGOVINNA – RAIN ON ME SIMI – TIFF ALBUM OF THE YEAR A VOTING CATEGORY FOR THE BEST ALBUM (SOLO OR GROUP) IN YEAR UNDER REVIEW, THAT MEETS JUDGES REQUIREMENTS BASED ON EXCELLENCE SONGWRITING, PRODUCTION, RENDITION,  PROMOTION AND ACCEPTABILITY IN TERMS OF SALES AND POPULARITY. RICH N FAMOUS - PRAIZ KING OF QUEENS - YEMI ALADE STREET OT – OLAMIDE CHAIRMAN - M.I. A.Y.O. – WIZKID DOUBLE TROUBLE – P SQUARE ARTISTE OF THE YEAR MOST CRITICALLY AND COMMERCIALLY ADJUDGED ARTISTE IN THE YEAR UNDER REVIEW. OVERALL MOST SUCCESSFUL ARTISTE FOR THE YEAR UNDER REVIEW. OLAMIDE DAVID O WIZKID YEMI ALADE P-SQUARE SONG OF THE YEAR A VOTING CATEGORY FOR THE MOST POPULAR SONG IN THE YEAR UNDER REVIEW. OJUELEGBA - WIZKID GODWIN – KOREDE BELLO KISS DANIEL – WOJU OLAMIDE – BOBO AFRICAN ARTISTE A NON-NIGERIAN AWARD CATEGORY FOR AN INDIVIDUAL AFRICAN ARTISTE OR GROUP WITH THE MOST OUTSTANDING ACHIEVEMENT, IMPACT AND INFILTRATION INTO THE NIGERIAN MUSIC SCENE IN THE YEAR UNDER REVIEW. DIAMOND PLATNUMZ CASSPER NYOVEST SARKODIE UHURU AKA